|
From The Boston Globe
Q. How did you find Cecilia?
A. I was looking for something more mature, and when I got the script, she sort of ticked all the boxes. I wanted a woman who was dealing with the problems of being a woman, not the problems of being a girl. I liked that she wasn’t particularly nice. I liked the fact that she wasn’t particularly good. And I loved that she was, in a funny way, redeemed by her love and by her sacrifice.
Q. What was it like working with Joe Wright a second time?
A. It’s wonderful to watch. He’s creating a company. He’s now found Seamus McGarvey, who’s a fabulous director of photography, and the camera team feels like it’s cemented. And then Jacqueline Durran, who’s the costume designer, who did “Pride & Prejudice,” and Sarah Greenwood, who was the production designer, who also did “Pride & Prejudice.” Dario Marianelli - normally, no actress is ever going to know who the [expletive] the composer is . . .
Read full article.
|